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- Discover releases, reviews, credits, songs, and more about Smith & Mighty - Bass Is Maternal at Discogs. Complete your Smith & Mighty collection.
- Bass Is Maternal, an Album by Smith & Mighty. Released in October 1995 on More Rockers (catalog no. Genres: Jungle, Trip Hop, Dub.
Smith & Mighty
Smith & Mighty
Smith & Mighty- Bass Is Maternal (1995) at 11:11:00 PM. Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest. No comments: Post a Comment.
- 10 Tracks
- Artist
- Smith & Mighty
- ReleaseProduct
- Ashley Road Sessions 88-94
- Label
- Tectonic Recordings / Punch Drunk Records
- Catalogue Number
- SMLP30
- Release Date
- November 9, 2018
- LP
- CD
- Download
- 2 Tracks
- Artist
- Smith & Mighty
- ReleaseProduct
- B Line Fi Blo
- Label
- Punch Drunk Records
- Catalogue Number
- UNEARTHED001
- Release Date
- January 25, 2010
- 12'
- Download
- 24 Tracks
- Artist
- Smith & Mighty
- ReleaseProduct
- DJ-Kicks (Smith & Mighty)
- Label
- !K7 Records
- Catalogue Number
- 0730003706523
- Release Date
- March 9, 1998
- Download
Punch Drunk Records
- 2 Tracks
- Artist
- Peverelist
- ReleaseProduct
- Bluez (Classic Mix) / Und_92
- Label
- Punch Drunk Records
- Catalogue Number
- DRUNK035
- Release Date
- November 2, 2018
- 12'
- Download
- 12 Tracks
- Artist
- Various Artists
- ReleaseProduct
- Worth the Weight, Vol. 2: From the Edge
- Label
- Punch Drunk Records
- Catalogue Number
- DRUNKCD006
- Release Date
- September 11, 2014
- CD
- Download
- 2 Tracks
- Artist
- Hodge
- ReleaseProduct
- Resolve / Prototype Fear
- Label
- Punch Drunk Records
- Catalogue Number
- DRUNK033
- Release Date
- October 31, 2013
- 12'
- Download
- 4 Tracks
- Artist
- Bass Clef
- ReleaseProduct
- Stenaline Metranil Solar Flare (Bass Clef & Peverelist Remixes)
- Label
- Punch Drunk Records
- Catalogue Number
- DRUNK032D
- Release Date
- October 3, 2013
- 12'
- Download
- 2 Tracks
- Artist
- Pev and Hodge
- ReleaseProduct
- Bells (System mix / Dream Sequence)
- Label
- Punch Drunk Records
- Catalogue Number
- DRUNK031
- Release Date
- May 13, 2013
- 12'
- Download
- 2 Tracks
- Artist
- Zhou
- ReleaseProduct
- Locust Tree
- Label
- Punch Drunk Records
- Catalogue Number
- DRUNK030
- Release Date
- March 4, 2013
- 12'
- Download
- 14 Tracks
- Artist
- Ekoplekz
- ReleaseProduct
- Intrusive Incidentalz Vol 2
- Label
- Punch Drunk Records
- Catalogue Number
- DRUNK029
- Release Date
- October 3, 2012
- LP
- Download
- 9 Tracks
- Artist
- Bass Clef
- ReleaseProduct
- Reeling Skullways
- Label
- Punch Drunk Records
- Catalogue Number
- DRUNKCD005
- Release Date
- April 30, 2012
- LP
- CD
- Download
In the mid 1980's a collective formed in the United Kingdom around the Bristol St. Paul's area, based around DJs such as Nellee Hooper (later of Soul II Soul) and others who became known as 'The Wild Bunch'. This collective, it has been argued, went on to form the basis of the 'Bristol Sound' of the time, and was characterised by bass heavy reggae, dub, soul and hip hop. This street sound system culture soon developed into self produced titles such as Wild Bunch's 'Look of Love', which was co-produced by a another DJ collective active in the area comprised of Rob Smith and Ray Mighty.
Smith And Mighty Bass Is Maternal Rar Full
Smith and Mighty had already established their own sound system known as 'Three Stripe'. In 1987 the duos record label, also dubbed 'Three Stripe', released two covers of well known tunes by songwriter Burt Bacharach, 'Anyone (Who Had a Heart)' and 'Walk On (By)', which are the first two tracks on this recent collection of Three Strip tunes from that era. Interest in Smith and Mighty escalated in 1989 when they produced 'Wishing on a Star' for Fresh Four, which instigated an offer of a deal from Richard Branson and Virgin records, which was then refused on political grounds. The pair produced the first single for the Bristol based Massive Attack 'Any Love'. Their first album, in its own right, did not appear until 1995 with, the now legendary, 'Bass Is Maternal'.
The music that makes up this historical article is characterised by mellow, soulful vocal, skilfully mixed with bass heavy lines and the essence of hip hop. The two Bacharach covers which open this set excrete all the elements which have made Smith and Mighty synonymous with the Bristol Sound, with snatches of samples from the original tracks, relentless bass lines and subtle scratching.
Further into the collection 'Acid Off A Way (Parts 1 and 2)' takes the listener deep into the heart of a mid 80's St. Pauls warehouse jam, with exhilarating samples and turntable trickery. 'Time to Rhyme' featuring The General is pure killer dancehall which would not be out of place on a modern sound system 25 years later. 'Killa' continues to thrill and put a smile on the face with its dirty bass bruising and snatches of what sounds like Slade's Noddy Holder bellowing. The cartoon character Popeye appears to grace 'Funky man (You Better Run)', and tantalising snatches of well known gems titillate 'Clash of the Beats'.
Smith And Mighty Bass Is Maternal Rare
Listened to as a whole from start to finish, the listener develops an awareness of how the sound and production values of Smith and Mighty matured throughout the period in question. The music may not be as experimental as their successors Massive Attack and Portishead, but as an historical document indicative of where that sound originated, this release is indispensable.
Smith And Mighty Bass Is Maternal Rar Player
In a contemporary setting, with prominence placed on listening to music in isolation on miniature headphones from crude digital file formats, the modern listener may not be fully equipped to appreciate the sounds being produced here. For that, one needs to place the sub woofers in the street, turn the bass up to 11, and open a tin of Red Stripe.